These days, the knowledge about the
power of leylines to direct the Sovereignty and wellbeing of a nation is
kept from the general population. But it still remains true that
whoever holds the “reins” of the land, reigns over the land.
We find information about the lore that has been occulted from us in the ancient myths of the Druidic Celts in the Mabinogion, and one in particular, about the brothers Lludd and Llevelys, and the battling Red and White Dragons.
By Annie Dieu-Le-Veut
It is said that when Britain is in the direst peril and needs him the most, King Arthur will arise from his grave and return. We know this because we used to hear rhymes about it while still in the cradle – bardic poems that hail from of an age that Time forgot, when our ancestors carved stories about the Once and Future King in the green and pleasant hills of Avalon and then left them there for the salvation of mankind.
Here is Annie Dieu-Le-Veut reading a startling extract from her extraordinary best-selling book, Stories in the Stars, which turns everything we thought we knew about our history on its head.
If I was asked to describe, in just seven words, what you’ll learn to do from my new book, Stories in the Stars, it’s this:
How to reincarnate into your own life
Why is that?
Stories in the Stars: What our ancestors were trying to tell us explores how ancient myths are actually the vessels or arks of our ancestors sailing the seas of Time and containing, deep in their submarinal holds, precious messages about our innate holographic relationship to eternal astrological and alchemical cycles which drive each of us along our life’s path.
Over thousands of years, these orally-transmitted wisdom teaching stories have been twisted and bastardised into fake histories in order to serve various and changing political imperatives. And they have been concertinaed, truncated and dumbed-down to satisfy the appetites of light entertainment through the shifting narratives, over time, of the mytho-industrial complex.
I am a story archaeologist – someone who digs up the originals of these epic tales that were drawn in the glittering night skies of the last Ice Age. I brush them off and then break down their meanings in the simplest of terms, so that we can unlock the doors of our perception with their metaphorical keys. Continue reading
This video gives 25 mins of shamanic drumming – great for getting into trance! – which has been recorded on the great earthenwork effigy of the Phoenix that overflies the town of Glastonbury by local shaman, sound healer and author Annie Dieu-Le-Veut.
by Annie Dieu-Le-Veut
Sometimes people use old myths about faeries, dwarves and wizards to build a cosy, walled cognitive space – in the same way that as children we used to construct camps from blankets and bedspreads in which to hide from the realities of the adult world.
However, the ancient myths were not meant for that purpose and neither are my books, because these deeply rich allegorical tales contain wisdom keys that provide us with ways of meeting the seemingly impossibly difficult challenges of the human condition. These challenges don’t change from generation to generation. The problems that we’re faced with today were also faced by our ancestors thousands of years ago. From the minute we give out that first scream at birth, we’re in a life-and-death struggle between good and evil, whether we realise it or not – and often our adversaries prefer us not to realise it, as they soften us up for the killing blow.
That’s why I chose the archetypal symbol of the sword to begin this series of lessons that make up these mystery teachings, which are based on the stories in my own books and particularly The Grail Mysteries. The last article, Lesson 2, was about the faery woman who raises the sword from beneath the frozen Hart Lake under the stars of Capricorn, and I’ve shown various ways of getting in touch with the faery gold buried within our own frozen emotional pain and forging it into our own Fragarach, the Sword of Truth.
If you have followed my guidance in Lesson 1, you will hopefully have begun the process of diving down deep into the frozen lake of your emotions and using the heat of concentration – through visualisation or shamanic journeying – in the alchemic crucible of your own inner space to release them and bring them to the surface in the form of a faery sword.
In this article, Lesson 2, I will be referencing the image in my book The Grail Mysteries where the woman’s arm wielding the sword appears from beneath the white, frozen Hart Lake, under the stars of Capricorn, to signal the birth of the royal Radiant Child on the winter solstice.
By Annie Dieu-Le-Veut
This article forms the beginning of a shamanic quest for my readers to help them understand and work with the imagery contained within my books that are based on Celtic magic. So if you’ve just stumbled into this Mystery Teachings class, you may want to go to the Introduction first, and then follow the links from there.
Before we start the shamanic or magical work for healing the Wounded Queens with the Thirteen Treasures of Britain, we need to get in touch with what needs healing within us because our power will come from what originally disempowered us. Continue reading
By Annie Dieu-Le-Veut
I hope you like the beautiful wrought gilded chalice gracing the cover of my new book The Grail Mysteries as much as I do. It was commissioned by Abbot Suger of St Denis, France, in the twelfth century, while its sardonyx cup was made in Alexandria in the second century BCE.
Abbot Suger’s chalice with kind permission of the National Gallery of Art in Washington.
Those who know about sacred sex magic will instantly recognise why Abbot Suger’s chalice makes a most appropriate cover for a mythic tale which explores that subject in depth. This chalice is symbolic of the Marriage of the Sun and the Moon, the alchemical operation that is at the heart of the ancient mysteries of the Grail which is about the shamanic form of sex that has always underpinned Sovereignty.
HERE she comes,” muttered Cerridwen, through glinting black diamond teeth, as the dark silhouette of a woman came suddenly into view against the pinkening skies on the horizon, running across the top of an undulating field before vanishing again into the dew-laden deeps of the darkening gloaming.
Cerridwen’s wizened snake’s eyes had been scouring the horizon for hours, while she stirred her cauldron with a long silvery ash stick that was almost as gnarled and twisted as herself.
With one black eye firmly fixed on the ever-duskening fields in the distance as the setting sun began to cast its long creeping shadows, she watched from the corner of the other as the Scorpion goddess constellation slowly rose, glittering like an ice crystal palace against the lapis lazuli celestial vault.
Listen to the whole of the first chapter of The Bright World of the Gods here: